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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe central figure, Saint Cecilia, looks upward as a portable organ slips from her hands, symbolizing the transition from earthly music to divine harmony. To her left, Saint Paul leans on his sword in deep meditation, while on the right, Mary Magdalene gazes directly at the viewer. A choir of six angels appears in a break in the clouds above, singing from open musical scores.
This painting embodies the Renaissance Neoplatonic concept of 'musica mundana'—the music of the spheres—which transcends mere human instrumentation. It illustrates the soul's ascent from material perception to spiritual contemplation, a theme central to the thought of Marsilio Ficino regarding the cosmic influence of harmony.
Marsilio Ficino
Ficino's Neoplatonic theories on music as a tool for aligning the human spirit with celestial harmonies provide the philosophical context for Cecilia's spiritual transition.
Boethius
The work visualizes the Boethian hierarchy of music, showing the abandonment of 'musica instrumentalis' (the organ) for 'musica mundana' (the angelic choir).
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.