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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis black chalk drawing depicts three figures in varying states of religious fervor and awe. One figure kneels in the foreground while two others stand behind him, their gazes and hands lifted toward an unseen celestial event. The sketch captures the physical manifestation of spiritual intensity through dynamic gestures and heavy drapery.
As a study for the Monteluce Altarpiece, this work demonstrates the High Renaissance effort to visualize the 'ascent of the soul' and divine revelation. It reflects the Neoplatonic intellectual climate of the era, where the physical beauty and expressive emotion of the human form were seen as reflections of higher spiritual truths.
Marsilio Ficino
Ficino's theories on 'divine frenzy' and the soul's upward movement toward the divine provided the philosophical basis for the expressive ecstasy seen in Raphael's religious figures.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://recherche.smb.museum/?language=de&question=Raffael&limit=15&controls=none
3074 × 3816 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.