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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing in red chalk (sanguine) focuses on the anatomical rendering of a seated infant, capturing the soft musculature and light falling across the torso. The figure is a preparatory study for the Christ Child in Raphael's painting known as 'La Perla'. A circular museum stamp is visible in the lower left corner, indicating its historical provenance in the Berlin collections.
Raphael's preparatory drawings represent the Renaissance synthesis of naturalistic observation and Neoplatonic idealization. This 'disegno' (design/drawing) reflects the philosophical belief that the artist could perceive and replicate the perfect forms of the divine realm through refined study of the physical world.
SAMMLUNG DER KÖNIGL: MUSEEN KUPFERSTICH-SAMMLUNG
Translation
Collection of the Royal Museums, Print Room (or Copperplate Collection)
Marsilio Ficino
Ficino's Neoplatonic concept of 'divine beauty' as a mirror of the soul's perfection heavily influenced the High Renaissance approach to depicting sacred figures like the Christ Child.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
http://www.smb-digital.de/
2324 × 4000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.