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Wikimedia Commons · CC BY 3.0 · Hover to magnify, click for fullscreen
Original fileThe scene depicts the physical exertion of moving the dead Christ, with figures straining under his weight as they move toward a cave on the left. To the right, a secondary group shows the Virgin Mary collapsing in grief, supported by three holy women. The background features a detailed landscape leading to Mount Calvary, where the three crosses are still visible against a turbulent sky.
Commissioned as a memorial for Grifonetto Baglioni, the painting represents the High Renaissance transition toward a more dynamic and anatomically heroic style influenced by the humanist rediscovery of classical sculpture. It embodies the 'Compassio Mariae,' a theological concept where the Virgin's spiritual suffering mirrors the physical suffering of Christ, reflecting late medieval and early modern devotional practices.
RAPHAEL URBINAS MDVII
Marsilio Ficino
Raphael’s focus on the idealized human form reflects the Neoplatonic concept of the body as a reflection of divine proportions and the soul's inner state.
Thomas à Kempis
The emphasis on the empathetic suffering of the onlookers aligns with the 'Imitatio Christi' tradition of internalizing the Passion.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.