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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis preparatory drawing shows the Virgin Mary in a moment of quiet contemplation, looking down at the infant Jesus. The Child grasps a pomegranate, a symbol of the Passion and the unity of the Church, while an open book in the lower right suggests the fulfillment of scriptural prophecy. The composition uses delicate cross-hatching and fine lines to create a sense of three-dimensional volume and soft light.
Raphael’s work exemplifies the High Renaissance Neoplatonic ideal where physical grace and mathematical harmony serve as a window into the divine. The pomegranate, while a Christian symbol of the Resurrection, also carries ancient associations with the mysteries of Persephone, reflecting the Renaissance synthesis of classical mythology and Christian theology.
Raffaello Santi.
Marsilio Ficino
Raphael’s pursuit of the 'Idea'—the perfect, celestial form of beauty—was the visual equivalent of the Neoplatonic philosophy championed by Ficino in Florence.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://sammlungenonline.albertina.at/ "Raffaello Santi" (KÜNSTLER_IN) Graphische Sammlung (Sammlung)
850 × 1111 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.