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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis red chalk drawing captures the curved inner elevation of the Pantheon, focusing on the rhythmic arrangement of Corinthian columns and pedimented niches. The sketch includes the attic level and a portion of the iconic coffered dome, illustrating the monumental scale and geometric precision of the Roman structure.
The Pantheon served as the ultimate model for Renaissance architects and thinkers who viewed its hemispherical dome as a terrestrial representation of the celestial sphere. Raphael’s study of this 'temple of all gods' reflects the Renaissance synthesis of classical geometry, Neoplatonic cosmology, and the recovery of ancient architectural wisdom.
pantem
Translation
Pantheon
Vitruvius
Raphael's architectural drawings were often part of a project to document ancient Rome according to the principles laid out in De architectura.
Marsilio Ficino
Ficino and the Florentine Neoplatonists interpreted the circular form of the Roman temple as a symbolic 'imago mundi' or image of the world.
Object
Oil on panel
architectural
Digital Source
Wikimedia Commons · Public domain
https://euploos.uffizi.it/inventario-euploos.php?aut=Sanzio+Raffaello
900 × 620 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.