Raffaello, miracolo di sant'eusebio da cremona, 1502-03, 01

Saint Eusebius stands in the center of a gathered crowd, gesturing toward three men who are returning to life. The resurrected figures are shown in stages of awakening, from lying flat to sitting up in prayer, set against a background of rolling hills and slender trees. The witnesses are dressed in contemporary Renaissance attire, reflecting the early style of the artist before his move to Rome.

This panel is a significant example of Raphael's early career and his engagement with the cult of Saint Jerome, whose followers were central to the humanistic and theological developments of the Renaissance. It demonstrates the artist's early focus on narrative clarity and the human form, which would later culminate in the Neoplatonic synthesis of the 'School of Athens' frescos.