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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThis close-up focuses on the upper torso of the figure, who wears a luxurious red cloak with gold-trimmed edges containing cryptic, pseudo-antique lettering. Beneath the cloak is a dark blue garment with intricate gold embroidery and a white chemise with fine black-work patterns. The figure holds a single arrow in his right hand, a subtle reference to his martyrdom, while a serene landscape of rolling hills and trees occupies the background.
Raphael’s depiction of Sebastian reflects the Neoplatonic ideal of 'Kalokagathia,' where outer physical beauty is an outward sign of inner spiritual perfection. The use of pseudo-antique or pseudo-Kufic script on the garment borders reflects a Renaissance interest in the aesthetics of ancient, hidden wisdom and the 'prisca theologia' believed to link all great traditions.
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Marsilio Ficino
The painting embodies Ficino's Neoplatonic concept that divine grace is reflected through human beauty and harmony.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.