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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis pen and brown ink drawing captures a muscular young man in a complex, twisting movement as he holds a standard or flag pole. Fine cross-hatching defines the tension in his limbs, while faint, sketchy outlines of a horse and another figure appear in the background. The work is a preparatory figure study, likely for a larger narrative composition such as a battle scene.
Raphael’s rigorous study of the human form reflects the Neoplatonic pursuit of 'divine proportion' and the 'dignity of man,' ideas championed by Renaissance thinkers like Pico della Mirandola. By idealizing the male nude, the artist seeks to represent a harmonious microcosm that mirrors the macrocosmic order of the universe.
16 A. Galli
Pico della Mirandola
The idealized male figure serves as the visual embodiment of Pico's 'Oration on the Dignity of Man,' where the human form is the central bridge between the material and divine realms.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://www.gallerieaccademia.it/guerriero-cavallo-che-combatte-con-due-nudi-piedi
651 × 800 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.