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Wikimedia Commons · CC BY 3.0 · Hover to magnify, click for fullscreen
Original fileThree prophetic women of antiquity are depicted in dynamic, seated poses around the top of an architectural arch. Winged angels accompany them, holding and pointing to tablets and a long vertical scroll containing Greek inscriptions. The figures are draped in heavy, colorful robes of blue, gold, and red against a dark, shadowy background.
The Sibyls represent the 'Prisca Theologia' (Ancient Theology), a core concept of Renaissance Neoplatonism which held that pagan antiquity received divine revelations that foretold Christian truths. This fresco reflects the intellectual atmosphere of the Roman High Renaissance, where classical divination was reconciled with sacred scripture through the influence of figures like Marsilio Ficino.
Left tablet: ΘΑΝΑ ΤΟΥΜ ΟΙΡΑΝ Right scroll: ΟΥΡΑ ΝΟΝ ΕΙΛΙ ΞΕ ΝΙΑ ΕΚ ΕΥΟΝ
Translation
Left: Fate of death. Right: [He] has obtained heaven (or 'Heaven is a strange land').
Sibylline Oracles
The Greek inscriptions held by the angels are derived from these ancient texts, which were interpreted by Renaissance humanists as prophetic precursors to the Gospels.
Marsilio Ficino
Ficino's theological works provided the philosophical justification for placing pagan sibyls in Christian sacred spaces as recipients of 'divine madness'.
Object
Oil on panel
religious
Linked Data
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