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Original fileTwo Sibyls are depicted in dynamic, seated poses on either side of a central arch, accompanied by winged figures holding tablets and scrolls. On the left, an angel holds a stone tablet for a Sibyl to write upon, while on the right, a Sibyl gazes toward a vertical scroll held aloft by another winged genius. The monumental figures are dressed in heavy, colorful drapery and arranged in a balanced, classical composition typical of the High Renaissance.
This fresco represents the Neoplatonic concept of 'Prisca Theologia'—the idea that ancient pagan prophets like the Sibyls received divine revelations that prefigured Christian truths. Commissioned by the banker Agostino Chigi, the work reflects the intellectual atmosphere of early 16th-century Rome, where classical antiquity was harmonized with Hermetic and Christian philosophy.
Left tablet: ΘΑΝΑ ΤΟΥ Μ ΟΙΡΑΝ ΕΓ Right scroll: ΟΥΡΑ ΝΩΝ ΕΙΑΙ ΕΣ ΝΙΑ ΗΣΚ ΕΥΟΝ
Translation
Left: 'To wake the fate of death.' Right: 'They shall inhabit the heavens' (or 'He will be in the likeness of the heavens').
Lactantius
His 'Divine Institutes' served as the primary source for Renaissance artists and scholars regarding the Sibylline prophecies and their Christian interpretation.
Ficino
Ficino's Neoplatonic synthesis promoted the Sibyls as ancient authorities alongside Hermes Trismegistus and Plato.
Object
Oil on panel
religious
Linked Data
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