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Original fileTwo female prophetic figures sit flanking an architectural arch; on the left, a younger woman in a red mantle looks back toward an angel, while on the right, an older woman leans over a large book. Hovering angels and putti present the women with scrolls and stone tablets containing inscriptions in Greek and Latin. The scene captures the moment of divine inspiration, with the figures arranged in a complex, interlocking composition typical of the High Renaissance.
Sibyls were ancient pagan prophetesses whom Renaissance thinkers like Marsilio Ficino and the Neoplatonists viewed as 'prisca theologia'—figures who possessed fragments of divine truth and predicted the coming of Christ to the Gentile world. This fresco, commissioned by the banker Agostino Chigi, illustrates the synthesis of classical mystery traditions with Christian revelation.
ΑΝΟΙ ΞΩ ΚΑΙ ΤΟΤΑ ΝΑΣΤ ΗΣΩ IAM NOVA PRO GEN
Translation
Greek: 'I will open and then I will raise up' (referring to the resurrection). Latin: 'Now a new generation' (from Virgil's Eclogue IV, 'Iam nova progenies caelo demittitur alto').
Virgil, Eclogue IV
The Latin inscription 'IAM NOVA PROGEN' is a direct reference to Virgil's prophecy of a 'new generation' or 'new progeny' descending from heaven, long interpreted as a messianic prediction.
Lactantius
As a primary source for the Sibylline Oracles in the Christian tradition, Lactantius's writings informed the Renaissance iconographic program of depicting Sibyls as witnesses to the Incarnation.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.