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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis red chalk drawing presents two muscular male figures rendered with precise anatomical detail, likely as preparatory studies for a larger composition. The figure on the right is depicted from behind to showcase the musculature of the back and shoulders, while the figure on the left holds a long pole. A significant German inscription by Albrecht Dürer appears on the right side of the sheet.
This drawing is a famous artifact of the intellectual exchange between Raphael and Albrecht Dürer, representing the intersection of Italian and Northern Renaissance ideas. Dürer’s possession of the work highlights the era's philosophical focus on human proportion and the study of the body as a reflection of divine geometry and natural order.
1515 Raffahell de Urbin der so hoch peim pobst geehrt ist west hat der hat dise nackete bilde gemacht und hat sy dem albrecht dürer gen Nurnberg geschickt im sein hand dzu weisen
Translation
1515. Raphael of Urbino, who was so highly esteemed by the Pope, created these nude figures and sent them to Albrecht Dürer in Nuremberg to show him his hand.
Albrecht Dürer
Dürer owned this drawing and inscribed it, using it as a reference for his own studies in human proportion and natural philosophy.
Vitruvius
The study of the nude in the Renaissance was deeply rooted in the recovery of Vitruvian principles regarding the body as a microcosm of universal proportions.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://sammlungenonline.albertina.at/ "Raffaello Santi" (KÜNSTLER_IN) Graphische Sammlung (Sammlung)
2803 × 3937 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.