This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileGalatea holds the reins of two dolphins as she glides across the sea, her hair and cloak billowing as she looks backward. Around her, muscular tritons embrace sea nymphs while three cupids hover in the sky, aiming their arrows at her. In the foreground, a fourth cupid rides a dolphin, mirroring the movement of the central figure.
This composition is a hallmark of Renaissance Neoplatonism, representing the soul's ascent toward divine beauty through the contemplation of physical perfection. It translates the literary imagery of the humanist poet Angelo Poliziano into a visual allegory of the hierarchy of love.
Angelo Poliziano
The scene is a direct visual adaptation of a passage from Poliziano's 'Stanze per la giostra', which describes the palace of Venus.
Marsilio Ficino
The work reflects Ficino's theories on the 'Birth of Venus' and the two types of love (celestial and vulgar) central to Neoplatonic thought.
Object
Fresco
mythological
Digital Source
Wikimedia Commons · Public domain
https://sammlungenonline.albertina.at/
850 × 1152 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.