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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileGalatea stands balanced on a shell, holding the reins of two dolphins as her drapery billows in the wind. Around her, a frantic procession of sea-gods and nymphs embrace and blow conch shells, while winged cupids in the sky aim their arrows toward her. A small boy-god, likely Palaemon, steers the shell-chariot at the bottom of the frame.
Commissioned for the Villa Farnesina, this imagery reflects the High Renaissance synthesis of classical mythology and Neoplatonism, specifically the concept of 'Divine Love' as the soul's ascent toward beauty. It draws upon the intellectual climate of the Roman curia and the philosophical revival of ancient mystery traditions.
R V I
Translation
Raphael of Urbino designed [it]
Angelo Poliziano
The scene is largely based on descriptions in Poliziano's 'Stanze per la giostra', a poem heavily influenced by Neoplatonic thought.
Marsilio Ficino
Raphael's depiction of Galatea embodies Ficino's ideas regarding the 'Venus Coelestis' (Celestial Venus) and the movement of the soul through the contemplation of beauty.
Object
Fresco
mythological
Digital Source
Wikimedia Commons · Public domain
https://sammlungenonline.albertina.at/
850 × 1161 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.