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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA female figure in classical drapery stands in profile against a distant, misty landscape. She gazes downward at a lidded vessel or chalice held in both hands, her hair styled in a simple bun. The composition uses soft shadows and rhythmic folds in the fabric to define her form.
As a personification of Faith, this figure represents a central pillar of the Renaissance Neoplatonic synthesis, where Christian virtues were mapped onto the soul's ascent toward the Divine. This philosophical framework, championed by Marsilio Ficino, viewed the cultivation of such virtues as the necessary purification of the intellect before reaching higher spiritual truths.
Marsilio Ficino
Ficino's Neoplatonic theology framed the theological virtues as essential stages in the soul's 'anagoge' or upward journey toward God.
Object
Etching, second state of two (NH)
Plate: 9 3/4 × 6 3/4 in. (24.7 × 17.2 cm) cut within platemark
allegory
Digital Source
Wikimedia Commons · Public domain
http://sitevasari.free.fr/Vasari/Tableaux/IMAGES/R/Raphael/
6630 × 3999 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.