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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA muscular, monumental figure of the prophet Isaiah is shown in a dynamic pose, dressed in blue and orange drapery. He holds a scroll with Hebrew characters while looking toward his right, framed by two nude children who support a garland and a Greek dedication tablet above. The style heavily reflects the influence of Michelangelo’s figures on the Sistine Chapel ceiling.
This work exemplifies the Renaissance synthesis of classical aesthetics, Christian theology, and Hebrew scholarship. The use of Hebrew text in a prominent Roman commission reflects the era's interest in Christian Kabbalah and the search for ancient wisdom (prisca theologia) within the Hebrew Bible as a precursor to Christian revelation.
Top Tablet: ΑΝΝΗ ΠΑΡΘΕΝΟΤΟΚΩ ΠΑΡΘΕΝΙΚΗ ΘΕΟΤΟΚΩ Κ(ΑΙ) ΛΥΤΡΩΤΗ ΧΡΙΣΤΩ ΙΩ . ΚΟΡ . Scroll: פתחו שערים ויבא גוי צדיק שמר אמנים
Translation
Top Tablet: To Anne, Mother of the Virgin, to the Virgin Mother of God, and to Christ the Redeemer, Johann Goritz [dedicated this]. Scroll: Open the gates, that the righteous nation which keeps faith may enter in. (Isaiah 26:2)
Pico della Mirandola
The prominence of Hebrew scripture in this High Renaissance masterpiece reflects the intellectual environment shaped by Pico's '900 Theses' and the rise of Christian Kabbalah.
Egidio da Viterbo
A contemporary of Raphael and a leading Christian Kabbalist in Rome who likely influenced the theological programs of such works.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Own work
2802 × 4096 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.