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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis monochromatic detail focuses on the Christ Child, shown in a dynamic pose as he reaches toward a transparent veil held by his mother. He lies on a soft, draped pillow, while the hands of the Virgin are visible at the top, creating a scene of tender domesticity. The lighting emphasizes the soft contours of the child's body, a hallmark of the artist's High Renaissance style.
Raphael's depictions of the Holy Family are often seen as the visual realization of Neoplatonic ideals, where physical beauty serves as a window to divine perfection. The veil in this composition is a theological symbol for the Incarnation, representing the 'veiling' of Christ's divinity within human flesh.
RAPHAËL Fragment: Enfant Jésus Rome, Gall. Corsini (1510) B 5720 Université de Louvain
Translation
RAPHAEL Fragment: Christ Child Rome, Corsini Gallery (1510) B 5720 University of Louvain
Marsilio Ficino
Ficino's Neoplatonic theories on the manifestation of divine beauty in human form deeply influenced the aesthetic philosophy of Raphael's Roman circle.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://libis-kul.primo.exlibrisgroup.com/discovery/collectionDiscovery?vid=32KUL_KUL:KULeuven&collectionId=81532003710001488&lang=en&sortItemsBy=date_a&query=any,contains,GD016472
3753 × 3186 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.