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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileJesus is suspended in a radiant, cloud-filled sky, his garments appearing bright white against a celestial glow. On the ground below, the apostles Peter, James, and John recoil in various states of awe and physical distress, shielding their eyes from the overwhelming divine light. To the left of Christ, Moses carries the stone tablets of the law, while Elijah holds a book to the right.
The painting serves as a visual bridge between Christian revelation and Neoplatonic philosophy, specifically the concept of the soul's ascent and the 'divine madness' described by Marsilio Ficino. The blinding light represents the 'Super-essential Light' of Pseudo-Dionysius, a key text in the Western esoteric tradition regarding the direct experience of the Godhead.
Marsilio Ficino
Ficino’s Neoplatonic commentaries on the 'ascent of the soul' and 'divine frenzy' provide a philosophical context for the apostles' ecstatic reaction to the divine light.
Pseudo-Dionysius the Areopagite
His 'Mystical Theology' and 'The Divine Names' deal extensively with the 'divine darkness' produced by an excess of light, a central theme in this depiction.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY 2.0
Raphael, Transfiguration, 1518-20,detail ; Vatican Museums (2)
5254 × 3168 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.