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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileThe painting is divided into horizontal realms: a celestial upper register where Christ is flanked by the Virgin Mary and John the Baptist amidst saints and prophets, and a lower terrestrial register where figures such as the Four Doctors of the Church engage in debate. At the center of the composition, a monstrance containing the Host sits upon an altar, acting as the focal point for both the human and divine figures. The arching clouds and the rays of light from God the Father create a sense of cosmic order and divine hierarchy.
This work represents the Renaissance synthesis of Neoplatonic philosophy and Christian theology, specifically the concept of the 'Great Chain of Being' and the soul's ascent toward the divine. It was designed to mirror 'The School of Athens' in the same room, representing Truth through Revelation as a necessary counterpart to Truth through Reason.
SECVN/DVM / MATTH/EVM SECVN/DVM / MARCVM SECVN/DVM / LVCAM SECVN/DVM / IOAN/NEM MORALIA EPISTOLAE
Translation
According to Matthew; According to Mark; According to Luke; According to John. Morals; Epistles.
Marsilio Ficino
The spatial organization of the fresco reflects Ficino's Neoplatonic hierarchy, where the material world (lower register) is linked to the divine (upper register) through the mediation of the Logos.
Dante Alighieri
Dante is depicted in the lower right of the fresco, signifying his role as a poet-theologian who mapped the celestial hierarchy in the Divine Comedy.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.