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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileJesus Christ stands centrally at the entrance of a dark cave-tomb, raising his right hand while holding a banner. Surrounding the base of the tomb, a group of classically proportioned soldiers react with dramatic gestures, some falling to the ground and others shielding their faces from the sudden light. The scene is rendered with white heightening on a neutral ground to emphasize the sculptural forms of the figures.
In the context of Renaissance Neoplatonism, the Resurrection was viewed as the supreme example of the spirit's victory over the inertia of matter. For thinkers like Marsilio Ficino, this event provided a theological bridge between Christian doctrine and the Platonic concept of the soul's return to its divine source.
Marsilio Ficino
Ficino’s Neoplatonic theology in 'Theologia Platonica' emphasizes the immortality of the soul and the eventual triumph of divine light over material darkness.
Rosarium Philosophorum
Late alchemical texts frequently used the iconography of the Resurrection to symbolize the final stage of the Great Work (Rubedo), where the spirit is fixed in the perfected body.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.mfab.hu/artworks/?artwork_author=raphael&offset=NaN¤t_page=NaN&artwork_type=drawing&per_page=80
1200 × 660 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.