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Original fileAt the center of the composition, Plato and Aristotle walk together while debating; Plato gestures upward to the heavens while holding his 'Timaeus,' and Aristotle gestures toward the earth while holding his 'Ethics.' Surrounding them, figures like Pythagoras, Euclid, and Diogenes are depicted studying, writing, and demonstrating geometric principles on the steps of a grand classical structure. The architecture features niches containing statues of Apollo and Minerva, symbolizing the light of reason and wisdom.
This fresco is the definitive visual articulation of Renaissance Neoplatonism, specifically the 'Concordia' or harmony between Platonic idealism and Aristotelian empiricism. It reflects the intellectual program of the Vatican under Pope Julius II, aiming to reconcile the 'prisca theologia' (ancient theology) of the pagans with Christian doctrine.
ETICA TIMEO
Translation
Ethics Timaeus
Plato, Timaeus
The central figure of Plato holds this text, which served as the primary cosmological foundation for Renaissance Neoplatonism.
Aristotle, Nicomachean Ethics
Aristotle holds his work on ethics, representing the grounding of philosophy in human conduct and the physical world.
Marsilio Ficino
The arrangement of the philosophers reflects Ficino's efforts to synthesize ancient thought into a coherent Western esoteric tradition.
Object
Oil on panel
allegory
Linked Data
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