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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileA circular painting, or tondo, showing the Virgin Mary seated in a landscape while holding the infant Jesus. The young Saint John the Baptist kneels to the left, and Saint Joseph leans in from behind, creating a tight triangular grouping of figures. The scene is enclosed in a wide, ornate frame carved with dense floral and leaf patterns.
This composition reflects the High Renaissance synthesis of Christian devotion and Neoplatonic philosophy, where physical beauty and geometric harmony were viewed as reflections of divine order. Raphael’s use of the tondo form specifically echoes the Platonic concept of the circle as the most perfect and divine shape, representing the cosmos.
Sacra Famiglia (Raffaello Sanzio) proveniente dlalla nobile famiglia San Mara'' Sacra Famiglia (Raffaello Sanzio) proveniente dalla nobile famiglia San-Maraffi
Translation
Holy Family (Raphael Sanzio) coming from the noble San-Maraffi family Holy Family (Raphael Sanzio) coming from the noble San-Maraffi family
Marsilio Ficino
Raphael's pursuit of idealized human beauty was grounded in Ficino's Neoplatonic theory that earthly beauty serves as a ladder to the contemplation of the divine.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY-SA 4.0
collezione privata
1467 × 1681 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.