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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe figure is shown in a twisting contrapposto pose, with her right hand resting on her chest and her left arm leaning against the wheel of her martyrdom. Her head is tilted back, looking upward in an expression of spiritual ecstasy or divine contemplation. The drawing uses fine cross-hatching to define the volumes of her drapery and the soft contours of her face.
As the patron saint of philosophers and scholars, Saint Catherine was a bridge between Classical erudition and Christian revelation. Her upward gaze in Raphael's treatment reflects the Neoplatonic concept of the soul's ascent toward the One, a central theme in the intellectual circles of Renaissance Florence.
Marsilio Ficino
Saint Catherine's role as the patron of Christian philosophy aligns with Ficino's efforts to reconcile Platonic thought with Christian doctrine.
Object
Gold, ronde-basse enamel, and jewels
Overall (without wooden base): 3 7/8 x 2 1/8 x 1 1/8 in. (9.8 x 5.4 x 2.8 cm) Overall (with wooden base): 4 13/16 x 2 3/16 x 1 in. (12.3 x 5.5 x 2.6 cm) Base (wooden): 1 1/8 x 1 x 2 3/16 in. (2.9 x 2.6 x 5.5 cm) Base (Marble): 1 3/4 x 1 3/8 x 2 15/16 in. (4.4 x 3.5 x 7.4 cm)
religious
Digital Source
Wikimedia Commons · Public domain
Louvre collections website
5472 × 3648 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.