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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileSt. Michael Vanquishing Satan label QS:Lit,"San Michele sconfigge Satana"label QS:Lfr,"Saint Michel terrassant le démon, dit Le Grand Saint Michel"label QS:Lde,"Erzengel Michael vertreibt Satan"label QS:Len,"Saint Michael Vanquishing Satan"
The archangel is shown in mid-air with vibrant, multicolored wings and wearing golden classical armor with a flowing blue mantle. He stands over a dark, muscular figure of Satan, who possesses horns and tattered wings, amidst a landscape of fire and rocky desolation. The composition emphasizes a dynamic movement from the celestial height toward the infernal depths.
This painting embodies the High Renaissance preoccupation with the Neoplatonic struggle between divine light and material darkness. In the esoteric tradition, Michael is often identified with the solar principle and the primary agent of Divine Will in the ordering of the cosmos, a theme central to the works of Pseudo-Dionysius and Marsilio Ficino.
Pseudo-Dionysius the Areopagite
His work 'De Coelesti Hierarchia' established the system of angelic ranks, positioning Michael as a leader of the celestial host.
Marsilio Ficino
Ficino's Neoplatonic synthesis often utilized the figure of the victorious angel as a metaphor for the soul's triumph over the lower, material instincts.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
1. tumblr2. http://pintura.aut.org/BU04?Autnum=11106&Empnum=0&Inicio=76
1136 × 1920 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.