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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe saint is depicted with long, curled hair and a thin golden halo, wearing a red mantle over a black doublet adorned with intricate knot-work embroidery. He holds a single arrow, the symbol of his martyrdom, with delicate fingers while gazing pensively to the side. The background features a luminous, atmospheric sky and distant hills characteristic of the Umbrian style.
This early work by Raphael exemplifies the Renaissance transition toward the idealization of the human form as a reflection of divine order and beauty, a concept deeply rooted in the Neoplatonic revival of the 15th century. The calm, unblemished appearance of the martyr reflects the philosophical belief that the soul's inner grace remains untouched by physical suffering.
Marsilio Ficino
Raphael's idealization of the saintly figure aligns with Ficino's Neoplatonic theories regarding the 'splendor of the divine light' manifested through physical beauty.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
photograph of old painting
801 × 1010 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.