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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe saint is shown from the waist up, dressed in elegant Renaissance clothing including an embroidered doublet and a heavy cloak. He holds a single black-fletched arrow—the instrument of his martyrdom—delicately between his fingers. The figure is set against a serene landscape of rolling hills and a pale sky, typical of the artist's early style.
This work reflects the early Renaissance synthesis of Christian iconography with Neoplatonic ideals of beauty, where physical grace serves as a mirror for spiritual purity. Raphael’s treatment of the saint avoids the gore of martyrdom to focus on a harmonious, idealized form central to the philosophical climate of the Italian courts.
Marsilio Ficino
Raphael's early works embody the Neoplatonic concept of divine beauty as an 'act of God' shining through physical form, as discussed in Ficino's Commentaries on Plato's Symposium.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.mfa.org/collections/object/saint-sebastian-31273
1275 × 1600 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.