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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA muscular, semi-nude young man sits atop a fallen tree trunk, draped in a heavy camel-hair cloak. He holds a fluttering parchment scroll in his left hand while his right hand points toward a slender wooden cross visible in the dense foliage of the background. The scene is set in a dark, atmospheric wilderness with two heraldic crests appearing in the upper corners.
In the High Renaissance, the figure of the Baptist was often treated through a Neoplatonic lens as the solitary 'voice' representing the soul's precursor to divine illumination. The upward-pointing gesture is a specific motif, popularized by Leonardo da Vinci and adopted here by Raphael, signifying the revelation of the Logos or spiritual truth.
EC[CE] AGN[US]
Translation
Behold the Lamb [of God]
Marsilio Ficino
Ficino's Neoplatonic commentaries often frame the Baptist as the essential bridge between natural philosophy and divine revelation.
Leonardo da Vinci
The compositional gesture of the pointing finger is a direct inheritance from Leonardo's esoteric and ambiguous depictions of the saint.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
C2RMF: Galerie de tableaux en très haute définition: image page
13998 × 13276 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.