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Original fileThis panoramic view shows the last of the four Raphael Rooms, decorated with monumental frescoes illustrating the life of the first Christian Emperor, Constantine the Great. The walls depict the dramatic defeat of Maxentius and the solemn baptism of the emperor, framed by architectural elements and personifications of virtues. The vault above, painted later by Tommaso Laureti, features the 'Triumph of the Christian Religion' over pagan idols.
This room represents the culmination of Renaissance political theology, synthesizing Roman imperial history with the 'Prisca Theologia' or 'ancient theology' used to justify the temporal power of the Papacy. It serves as a visual manifestation of the Neoplatonic and humanistic efforts within the Vatican court to reconcile the classical past with Christian revelation.
C. VAL. AVREL. CONSTANTINI IN VICTORIA QVA SVBMERSO MAXENTIO CHRISTIANORVM OPES FIRMATAE SVNT CLEMENS VII PONT MAX SIXTV V PONT MAX ANNO DNI MDLXXXV MODERATIO MANSVETVDO
Translation
Caius Valerius Aurelius Constantine; in the victory by which, after Maxentius was drowned, the resources of the Christians were established. Clement VII, Supreme Pontiff Sixtus V, Supreme Pontiff In the year of the Lord 1585 Moderation Meekness
Eusebius of Caesarea
His 'Life of Constantine' provided the primary historical and hagiographical narrative for the 'In Hoc Signo Vinces' vision and the subsequent battle depicted.
Lorenzo Valla
Valla's philological critique of the 'Donation of Constantine' provides the essential intellectual context for the room's defensive political program.
Object
Fresco
religious
Linked Data
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