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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe photograph captures a corner of a grand ceremonial hall decorated with frescoes designed by Raphael and completed by his workshop. The left wall depicts a dynamic, crowded battle scene, while the right shows a formal religious ceremony within a classical architectural setting. The walls are further adorned with personified virtues and seated popes in niches, creating a complex program of illusionistic decoration.
The Sala di Costantino represents the 'renovatio Romae' (renewal of Rome), an ideological program linking the early Christian Empire to the Renaissance Papacy. This synthesis of historical narrative and classical form reflects the humanist and Neoplatonic efforts to harmonize ancient Roman power with Christian theology.
Italiaansche Renaissance. 220 Rome. Kamer van Rafaël in het Vatikaan. Z.g. zaal van Konstantijn. De muurschilderingen zijn na den dood van Rafaël uitgevoerd door Jules Romain en anderen. Links: Veldslag bij "Ponte Molle" (bij Rome) tusschen Konstantijn en Maxentius. Rechts: Doop van Konstantijn in de doopkapel van St Jan van Lateraan. C.W.
Translation
Italian Renaissance. 220 Rome. Raphael Room in the Vatican. So-called Room of Constantine. The murals were executed after the death of Raphael by Giulio Romano and others. Left: Battle at "Ponte Molle" (near Rome) between Constantine and Maxentius. Right: Baptism of Constantine in the baptistery of St. John Lateran.
Giulio Romano
Lead artist of Raphael's workshop who executed the frescoes shown in the photograph.
Object
Fresco
architectural
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.596336
7292 × 5122 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.