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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileThe painting shows the Cumaean, Persian, Phrygian, and Tiburtine Sibyls arranged around an architectural arch in the Chigi Chapel. Angels and putti flutter around them, holding tablets and scrolls that bear prophecies in Latin and Greek. The figures are captured in dynamic, twisting poses with flowing robes, illustrating the moment of divine inspiration.
This work embodies the Renaissance concept of 'Prisca Theologia', which sought to reconcile ancient pagan wisdom with Christian doctrine. By depicting the Sibyls as genuine prophets of Christ's arrival, Raphael visualizes the Neoplatonic synthesis of classical antiquity and Christian revelation championed by thinkers like Marsilio Ficino.
BITVR IN MORTE IAM PROPHETAE CONFIRMANT DABITVR EI IAM NOVA PRO GEN
Translation
...will be [raised] in death. Now the prophets confirm. It shall be given to him. Now a new offspring [is sent down from high heaven].
Marsilio Ficino
Ficino's Neoplatonic philosophy popularized the idea that ancient Sibyls were conduits for the same divine truth found in Christian scripture.
Virgil, Eclogue IV
The inscription 'IAM NOVA PROGENIES' refers to Virgil's fourth Eclogue, which Renaissance Christians interpreted as a Sibylline prophecy of Christ's birth.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY-SA 3.0
File:2013-06-01 ROMA S. MARIA DELLA PACE.JPG (cropped, rotated, brightness and contrast)
3200 × 1613 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.