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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing captures a female figure in profile, her body leaning forward as she walks with her head slightly bowed. The artist uses dense cross-hatching to define the heavy, wind-swept folds of her garments, which reveal the underlying anatomy of her legs. Faint geometric lines in blue chalk appear in the background, alongside a collector's mark and inscription at the bottom of the sheet.
Raphael’s work in the Vatican Stanze represents the peak of the High Renaissance synthesis of classical form and Christian narrative, a project deeply influenced by the Neoplatonic atmosphere of the Roman court. The focus on rhythmic movement (moto) and grace in such studies reflects the period's philosophical aim to depict the 'motions of the soul' through physical gesture.
Raffaello d' Urbino 952 [Collector mark: IR]
Translation
Raphael of Urbino 952
Marsilio Ficino
Ficino's Neoplatonic theories on 'Grace' and the visual manifestation of the soul influenced the artistic standards of Raphael's circle.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://collectiononline.fondationcustodia.fr/bronnen/drawings/?fq%5B%5D=search_s_category:%22Drawing%22&fq%5B%5D=search_s_artistfilter:%22Sanzio,%20Raffaello%22&mode=gallery&view=horizontal
3407 × 4833 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.