This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe image shows a close-up of several musical instruments strewn on the ground in a state of disuse or breakage. Visible are the jingles of a tambourine and the fretted neck of a lute or viola, positioned near the sandaled feet of a standing figure. This arrangement signifies the renunciation of terrestrial music in the presence of divine revelation.
This iconography reflects the Renaissance Neoplatonic hierarchy of music, where 'musica instrumentalis' (audible, earthly music) is considered inferior to 'musica mundana' (the harmony of the spheres). The discarded instruments symbolize the transition from the physical senses to the spiritual 'musica humana,' a concept central to the thought of Marsilio Ficino and the Florentine Academy.
Boethius
His 'De institutione musica' defined the categories of music that inform the symbolic rejection of physical instruments in favor of celestial harmony.
Marsilio Ficino
Ficino’s theories on divine frenzy and the soul's ascent through music provide the philosophical framework for depicting the silence of earthly instruments during spiritual ecstasy.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY-SA 4.0
Available in the BEIC digital library and uploaded in partnership with BEIC Foundation. The image comes from the Fondo Paolo Monti, owned by BEIC and located in the Civico Archivio Fotografico of Milan.
981 × 1280 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.