Settima volta - storie di Giuseppe

Four rectangular narrative panels surround a central Medici coat of arms belonging to Pope Leo X. The scenes illustrate Joseph recounting his celestial dreams to his family, being sold into slavery by his brothers, fleeing from Potiphar's wife, and interpreting the dreams of the Pharaoh’s servants in prison. The panels are set within a complex decorative framework of white stucco and classical grotesque motifs.

Joseph was viewed in the Renaissance not only as a prefiguration of Christ but as the archetypal master of dream interpretation (oneiromancy). This cycle emphasizes the prophetic nature of dreams and the divine origin of knowledge, themes central to Neoplatonic and Hermetic inquiries into the power of the imagination and the soul's ability to perceive hidden truths.