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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe viewer sees a collection of pen-and-ink sketches including a monumental draped man and a smaller, expressive skeleton. A detailed drawing of the Tempietto, a famous circular chapel in Rome, appears in the lower section alongside several lines of handwritten Italian poetry. These diverse studies reflect the artist’s engagement with classical architecture, human anatomy, and philosophical reflections on mortality.
The inclusion of the Tempietto links this work to the Neoplatonic architectural ideals of the High Renaissance, where the circular temple symbolized the perfection of the cosmos. The skeletal figure and accompanying verse relate to the 'memento mori' tradition, highlighting the pervasive humanistic concern with the soul’s transition between life and death.
Son io quello che era quello chi per mirando una porta trasmutai mia vita in morte Non io no io sono quello si
Translation
Am I he who was he who, by looking through a door, transformed my life into death? No, I am not he, I am that one, yes.
Donato Bramante
The drawing contains a study of Bramante's Tempietto, a building embodying Renaissance Neoplatonic principles of geometry and divinity.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 1325 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.