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Original fileLocated above the arch of the Chigi Chapel, this fresco shows the four prophetesses in various stages of divine inspiration. Angels hover between the figures, holding inscriptions in Latin and Greek that link pagan prophecy to the coming of Christ and the resurrection. The composition is noted for its balanced, rhythmic arrangement of figures that integrate classical form into a sacred architectural space.
This work is a primary visual expression of 'Prisca Theologia' (Ancient Theology), a core tenet of Renaissance Neoplatonism which held that God revealed divine truths to pagan sages like the Sibyls and Hermes Trismegistus. It reflects the intellectual program of the Florentine Academy and Marsilio Ficino, seeking to harmonize classical antiquity with Christian doctrine.
IAM NOVA PRO GENIES RE SUR GENT
Translation
Now a new generation [is sent down from high heaven]; They shall rise.
Marsilio Ficino
Ficino's Neoplatonic synthesis provided the intellectual framework for including Sibyls as legitimate prophets alongside Hebrew figures.
Lactantius
His 'Divine Institutes' is the primary source for the Christian interpretation of Sibylline oracles used in Renaissance iconography.
Object
Oil on panel
religious
Linked Data
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