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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA knight in dark plate armor battles a dark-scaled dragon in a rocky, open landscape. To the right, a princess in a pink gown flees toward a distant hill, looking back at the struggle. The painting captures the climactic moment after the knight's lance has shattered, forcing him to finish the beast with his sword.
The motif of the dragon-slayer was frequently adopted in Renaissance Neoplatonism as an allegory for the triumph of the rational soul over base, material impulses. This chivalric ideal of the 'Soldier of Christ' (miles Christianus) was a central theme in the moral philosophy of humanists like Erasmus, who sought to internalize the battle between virtue and vice.
Jacobus de Voragine
His 13th-century 'Golden Legend' provides the primary narrative source for the legend of Saint George and the Dragon used by Renaissance artists.
Erasmus of Rotterdam
His 'Enchiridion militis Christiani' (Manual of a Christian Knight) parallels the artistic depiction of the knight as a symbol of spiritual warfare and moral discipline.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/2firenze/1/25drago3"
6210 × 7289 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.