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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileSaint Jerome is depicted as a celestial vision emerging from a cloud, holding a rod of discipline as a sign of divine authority. In the foreground, the false accuser Sabinian has been miraculously beheaded, while the pious Silvanus kneels in prayer, having been spared from execution. The witnesses and soldiers are dressed in contemporary Renaissance attire, set against a serene landscape of rolling hills and distant water.
As the translator of the Vulgate and a master of ancient languages, Saint Jerome was the primary model for Renaissance humanists seeking to reconcile classical philology with Christian theology. This narrative, from the 14th-century 'Hieronymianus', underscores the saint's role as a guardian of textual and doctrinal truth, a theme central to the intellectual environment of the early 16th century.
Johann Reuchlin
Reuchlin and other Christian humanists frequently cited Jerome's mastery of Hebrew as the essential precedent for the esoteric study of sacred languages and Kabbalah.
Pseudo-Eusebius of Cremona
The painting depicts a miracle described in the 'Epistola de morte Hieronymi', a key text in the development of Jerome's cult.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
North Carolina Museum of Art, online collection
6225 × 3696 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.