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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileMichael is depicted as a youthful, armored warrior with expansive wings, maintaining a calm demeanor as he subdues a writhing, hybrid beast. The background features a hellish environment with small figures undergoing torments, including people clad in heavy cloaks and others fleeing from serpents. A burning, distant city sits under a smoky sky, illustrating the struggle between celestial order and infernal chaos.
This painting synthesizes the Renaissance interest in celestial hierarchies with specific imagery from Dante Alighieri’s Inferno. It represents the Neoplatonic concept of the triumphant divine intellect over the chaotic, lower material world, a central theme in the philosophical circles of Raphael's time.
Dante Alighieri
The background details explicitly visualize scenes from the Inferno, specifically the City of Dis, the hypocrites in leaden capes, and the thieves pursued by serpents.
Pseudo-Dionysius the Areopagite
The depiction of Michael follows the angelological structures defined in 'De Coelesti Hierarchia', which was foundational to Renaissance understanding of the celestial orders.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/5roma/5/03satan"
2942 × 2942 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.