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Original fileThe saint stands in a simplified landscape, her gaze directed upward in divine contemplation while she holds a small pipe organ. This composition is a modern rendition of the central figure from Raphael's 1514 painting, showing the saint in a red tunic and gold-lined robes framed by a leaded decorative arch.
In the Renaissance Neoplatonic tradition, Saint Cecilia's connection to music serves as an allegory for 'musica mundana,' the Harmony of the Spheres. This concept, central to the works of authors like Ficino and Fludd, posits that earthly music is a reflection of the mathematical and spiritual order of the cosmos.
Robert Fludd
Fludd's 'Utriusque Cosmi Historia' extensively develops the musical metaphor of the Divine Monochord to explain the harmonic relationship between the Creator and the universe.
Boethius
His 'De institutione musica' defined the three types of music—mundana, humana, and instrumentalis—forming the basis for the esoteric understanding of harmony depicted through Saint Cecilia.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.