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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis composition study features several nude figures in various states of motion and awe, arranged to depict the moment of divine revelation. The central figure of Christ floats with outstretched arms, while the figures below shield their eyes or recoil from the perceived light. A red chalk grid is visible across the entire sheet, which the artist used to accurately transfer the proportions to a larger surface.
The Transfiguration represents the pinnacle of Neoplatonic thought in Renaissance art, depicting the moment of 'theiosis' where the human body is suffused with and transformed by divine light. It illustrates the philosophical bridge between the terrestrial and celestial realms, a central theme in the works of Marsilio Ficino and the Medici circle.
Marsilio Ficino
Ficino's Neoplatonic metaphysics of light and the 'lumen divinum' influenced High Renaissance conceptions of the Transfiguration as a spiritual ascent.
Pico della Mirandola
The upward movement of the figures reflects Pico's 'Oration on the Dignity of Man,' which argues for man's ability to ascend the chain of being toward the divine.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.chatsworth.org/visit-chatsworth/chatsworth-estate/art-archives/old-master-drawings-up-close/raphael/
2000 × 1395 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.