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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawing shows a woman in a seated, twisted pose, looking back over her shoulder with an expression of intense focus. She is dressed in voluminous classical robes, with the artist using fine lines to define the weight and folds of the fabric. The sketch captures a sense of sudden movement and the physical tension of a figure receiving divine inspiration.
Sibyls were viewed by Renaissance Neoplatonists as pagan prophetesses who formed part of the 'Prisca Theologia,' an ancient chain of wisdom that included Hermes Trismegistus and anticipated Christian revelation. This concept, championed by thinkers like Marsilio Ficino, allowed for the integration of classical mystery traditions into the religious art of the 16th century.
Lactantius
His 'Divine Institutes' served as the primary source for the identities and prophecies of the ten Sibyls during the Renaissance.
Marsilio Ficino
Ficino's Neoplatonic philosophy promoted the Sibyls as essential figures in the lineage of ancient theologians who bridged the gap between paganism and Christianity.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/7drawing/1/16study"
568 × 900 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.