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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing displays three muscular men rendered with detailed cross-hatching to define their physical strain. The figures are captured from different angles—front, side, and back—as they stoop and reach to lift an unseen weight. These sketches were produced to work out the complex mechanics of the figures who carry the body of Christ in Raphael's finished painting.
This drawing reflects the Renaissance project of anatomical inquiry, where the human body was viewed as a microcosm of divine order, a concept central to Neoplatonic natural philosophy. By mastering the physical structure of the body, artists like Raphael sought to express the invisible movements of the soul through visible physical tension.
R.V.
Leon Battista Alberti
Raphael's rigorous anatomical method follows Alberti's advice in 'De pictura' to understand the underlying structure of bones and muscles to accurately depict human emotion and movement.
Pico della Mirandola
The focus on the perfection and dynamic potential of the human form aligns with Mirandola's Neoplatonic celebration of man as the center of the world's harmony.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/7drawing/1/13study"
787 × 900 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.