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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis circular composition, or tondo, shows the Virgin Mary seated in a decorative wooden chair, wrapping her arms around the infant Jesus. To the right, a young John the Baptist is visible in profile with his hands clasped. The figures are closely arranged to follow the curve of the frame, creating a sense of intimate maternal protection.
This work represents the High Renaissance application of Neoplatonism to visual art, where the pursuit of ideal human beauty was seen as a way to contemplate divine archetypes. The circular 'tondo' format reflects Renaissance natural philosophy regarding the perfection of the sphere and the harmony of the cosmos.
132 S Z T U K A. W drugiej połowie XV-go i w pierwszych po- czątkach XVI-go wieku najznakomitszymi włoskimi malarzami byli: Rafael i Leonardo da Vinci. Jakkolwiek Rafael Sanzio da Urbino umarł młodo, nie dożywszy lat czterdziestu, pozostawił wszakże po sobie szereg wspaniałych obrazów, któ- Fig. 62. — Madonna Rafaela. re podziwiamy w pierwszorzędnych muzeach. Prze- ważnie malował obrazy treści religijnej, taki przy- najmniej nadając im tytuł. Figura 62-ga przedsta- wia słynny jego obraz zwany: „Madonna alla sedia“, wyobrażający Matkę Boską z Chrystusem na ręku, podczas gdy św. Jan w chłopięcych jeszcze latach,
Translation
132 ART. In the second half of the 15th and at the very beginning of the 16th century, the most outstanding Italian painters were: Raphael and Leonardo da Vinci. Although Raphael Sanzio da Urbino died young, not having lived to be forty, he nevertheless left behind a series of magnificent paintings, which— Fig. 62. — Raphael's Madonna. we admire in first-rate museums. He mostly painted pictures of religious content, at least giving them such a title. Figure 62 represents his famous painting called: "Madonna della Sedia", depicting the Mother of God with Christ in her arms, while St. John, still in his childhood years,
Marsilio Ficino
Raphael's artistic theory of the 'Idea' was influenced by Ficino's Neoplatonic philosophy regarding the spiritual value of physical beauty.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
This file comes from Polona Digital Library and is available under the URL: https://polona.pl/item/sztuka-wyklad-popularny-dla-mlodziezy-i-starszych,OTgwODY1NjU/137/
2496 × 3577 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.