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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe image displays an outline of the central fresco where Heliodorus is struck down by a celestial horseman and two youths as he attempts to plunder the Temple. Below the narrative scene, a row of monochromatic caryatids and herms are shown as they would appear on the lower architectural dado of the room. These female figures personify virtues such as Abundance, Law, and Religion, framing the entrance to the papal chambers.
Raphael's decoration of the Vatican Stanze represents the High Renaissance synthesis of biblical history, classical form, and Neoplatonic philosophy. The inclusion of the Menorah and the focus on the sanctity of the Temple of Jerusalem connect to the intellectual interests of the 'prisca theologia,' where Renaissance humanists like Egidio da Viterbo sought to reconcile Hebrew antiquity with Christian theology.
THE CARYATIDES FROM THE "STANZA DELL ELIODORO" IN THE VATICAN Expulsion of Heliodorus Underneath the Death of Ananias N.I Abundance Underneath the St Paul at Athens N.II Rome N.III Religion N.IV Law N.V Agriculture N.VI Peace P-II Heliodorus Underneath the Delivery of St Peter Nos. I II III IV V and VI are engraved by J. Brown London 1852
Egidio da Viterbo
A leading humanist in the court of Julius II whose writings on the Kabbalah and the sanctity of the Temple influenced the iconographic programs of the Vatican Stanze.
2 Maccabees
The biblical source for the scene of Heliodorus being expelled from the Temple of Jerusalem.
Object
Fresco
architectural
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/object/P_1853-0212-89-104
1236 × 1600 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.