The Creation of Eve from Adam

A robed God the Father leans over the reclining, unconscious figure of Adam to draw Eve from his side in a sparse landscape. Two angels with billowing robes float in the sky above, and the entire scene is framed by a decorative gold meander border. The painting's surface exhibits significant historical flaking and loss, revealing the underlying support.

This scene represents the ontological division of the primordial human, a concept central to Renaissance Neoplatonic interpretations of Genesis. Thinkers of the period often linked this biblical event to the Platonic myth of the original androgyne, symbolizing the soul's descent into duality and its subsequent longing for divine reunion.