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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileGod is depicted as a bearded patriarch in purple robes, gesturing with outstretched arms to bring forth a diverse array of creatures. To his left, a prominent lion and several birds inhabit the landscape, while the right side features an elephant, a rhinoceros, and a unicorn. The scene is set within an architectural frame, showcasing a transition from the void to a populated natural world.
This work reflects the High Renaissance interest in natural philosophy and the Neoplatonic concept of the Great Chain of Being, where the diversity of life is seen as a reflection of divine plenitude. The inclusion of the rhinoceros, likely based on Dürer's famous woodcut, demonstrates the era's drive to catalog and understand exotic specimens as part of a sacred, orderly cosmos.
Pliny the Elder
Raphael's encyclopedic depiction of animals draws on the classical tradition of natural history exemplified by Pliny's Naturalis Historia.
Marsilio Ficino
The depiction of God as the 'anima mundi' or the animator of all biological forms aligns with Ficino's Neoplatonic commentaries on creation.
Object
Fresco
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/5roma/4/2animals"
6619 × 4961 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.