This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileIn the upper half, Christ places a crown upon Mary's head while surrounded by cherubim and angels playing musical instruments. Below, the Apostles express wonder at the open sarcophagus, which contains lilies and roses instead of a body. St. Thomas stands in the center holding the sacred girdle, which according to tradition was dropped to him by Mary as proof of her physical ascent.
The painting's tiered composition reflects the hierarchical spatial logic of the Renaissance, mirroring Neoplatonic concepts of the ascent of the soul from the material world to the divine spheres. This vertical arrangement serves as a visual representation of the 'Great Chain of Being,' a central concept in the natural philosophy and theology of the period.
The Golden Legend
This medieval hagiography by Jacobus de Voragine is the primary source for the iconography of the flowers in the tomb and the narrative of St. Thomas and the girdle.
Marsilio Ficino
Ficino's Neoplatonic theories regarding the soul's movement between the terrestrial and celestial realms provide a philosophical context for this style of dual-plane altarpiece.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/1early/04oddi"
3386 × 5249 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.