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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe saint holds a portable organ with pipes slipping out of its frame, signifying her abandonment of earthly music for a divine vision. At her feet lie broken and scattered instruments, including a viola da gamba, flutes, and cymbals. In the clouds above, six angels sing from songbooks, representing a higher form of spiritual harmony.
The work illustrates the Neoplatonic hierarchy of music, contrasting 'musica instrumentalis' (earthly, broken sound) with 'musica mundana' (the celestial music of the spheres). It reflects the Renaissance philosophical belief that the soul can achieve a state of 'divine frenzy' or ecstasy through the contemplation of heavenly beauty and harmony.
Marsilio Ficino
Ficino's theories on 'divine frenzy' and the power of music to elevate the soul to the divine realm provide the philosophical framework for this depiction of ecstasy.
Boethius, De institutione musica
The painting visualizes the Boethian distinction between the inferior music made by human instruments and the superior, silent harmony of the cosmos.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga
4992 × 8124 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.