This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis is a large-scale preparatory drawing, or cartoon fragment, showing the head of a horse with wide eyes and flared nostrils. The work emphasizes dramatic tension and movement through the energetic rendering of the mane and the creature's intense gaze. It was created as a study for the divine horseman in the 'Expulsion of Heliodorus from the Temple' fresco in the Vatican.
Representing the High Renaissance mastery of animal anatomy, this study reflects the era's natural philosophy, which sought to understand the 'anima' or spirit of living creatures through precise observation. Within the Western tradition, the horse in the underlying scene serves as a vessel for divine justice, connecting to Neoplatonic ideas regarding the hierarchy of beings and the use of physical force in the service of the sacred.
Leon Battista Alberti
Alberti’s treatise 'De Equo Animante' (The Horse) established the Renaissance philosophical and anatomical standard for depicting the horse as a noble and rational animal.
2 Maccabees 3
The biblical source for the scene this horse was designed for, describing a 'horse with a terrible rider' sent as a divine messenger.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 1050 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.